NYFW Cynthia Rowley (part two)

Scene: Spring/Summer 2022, with a sunset Lady Liberty view from the tip of Manhattan’s Wagner Park. “I’m slightly Y2K-obsessed, but not too much,” designer Cynthia Rowley said following her playful and feminine show. Rowley combined her various categories — swim and surf, girly occasion and daywear, and sporty leisure layers into one collection that embodied wearable, optimistic, and fun styles with just enough of a nod to the early 2000s. The nod came in the form of butterfly and floral motifs, chunky crystal jewelry and embellishments, and a girly, bright palette. Spring was one of Rowley’s most cohesive collections in recent seasons and a celebratory return to New York Fashion Week.
Talent for the show: Hair by lead hairstylist Rodney Cutler of Cutler Salons and team. Makeup by lead makeup artist Cassandra Garcia and team for Bobbi Brown. 
Above photo, Maia Hannemann represented by The Industry Model Management is wearing a Twilight Dress. And Mia Speicher represented by Next New York is wearing a Smocked Silk Twill Dress.

Scene: Cassandra Garcia, lead makeup artist for Bobbi Brown, comments on the makeup direction “Pretty, rosy, with a soft pink eyeliner complemented with a soft glowing rose lip.”
Scene: Rodney Cutler, lead hairstylist of Cutler Salons, comments on the hair direction “Elegant, deconstructed, a return to glamour with a young attitude.”
Scene: New 3D printed, made-to-order, futuristic wedges, which Rowley explained were the result of trying to find a more sustainable and manageable solution to her current shoe business.
Scene: Cynthia Rowley said postshow “Sexy! Sexy for sure, right? Haven’t we been waiting a lot of time to be sexy?
Watch the runway show!

To view NYFW Cynthia Rowley (part one) click here.

Special thanks to Helen Oppenheim, US Correspondent for Peluquerias Magazine, archivist, blogger, and hair historian, for asking me to collaborate during Fashion Week.

 

 

 

StockadeFaire

On a cold Winter night I’m remembering this warm and fun day in October.
Scene: StockadeFaire, Day into Night. A Block Party that took over Wall and North Front Streets in Kingston, coinciding with One Mile Gallery Janet Hicks OMGArtFaire.
Sean B Nutly of bluecashew Kitchen worked with his life and business partner JT McKay, and with Lovefield Vintage owners Darbie Nowatka and Justin Rice. Sean envisioned StockadeFaire as a collaboration between the Uptown Kingston businesses and the Phoenicia Flea.
StockadeFaire brought together business sponsors, merchant booths, live music acts, and DJs. The block of Wall between John and North Front Street was bookended by stages.
People came to hear the music, shop, view classic cars, mingle, dance, party, and enjoy the day into night event.
Above photo Laura Lee and Sean B Nutley.

Scene: Waiting for Unicorn Disco for Tots.
Scene: Eli Goldstein of Soul Clap, Unicorn Disco for Tots, spinning tunes while parents and kids sway and dance with delight on North Front Street.
Scene: Hogs & Hotrods, the vintage car show curated by the crew at Pugsley’s Barber Shop. 
Scene: 1956 Buick Roadmaster.
Scene: Lovechild on the Ramblin’ Rose Mobile Stagecoach Stage at the corner of Wall and John Streets. Hotel Kinsley presented an afternoon of live music curated by Drew Frankel of Impact Concerts and Levon Helm Studios, and Kyle McEvoy of Sonder House record label. The lineup featured Angela Bove, Patrick Collins, Lovechild, Paul Moody, Jules Olson, Heathered Pearls, and Spencer Zahn.
Scene: Enjoying live music at the Habitat for Humanity lounge area.
Scene: Habitat for Humanity and ReStore provided tables and chairs for Stockade Soundstage.
Scene: Hotel Kinsley’s Sips and Bites.
Scene: Spencer Zahn, ambient jazz performer and bassist who was the headliner. Born in Massachusetts, he started playing the bass at age 12. Since moving to New York in the mid-2000s, he has worked as a touring musician, performing live with a range of acts across the genre spectrum.
Scene: Jas Walton on saxophone, played with Spencer Zahn. Born and raised in midcoast Maine, he moved to New York City where his eclectic musical interests quickly took root. He has collaborated with the Alan Watts Audio Archive.
Scene: Maria and Ken Glass. “Lovechild’s original music rocks” she said.
Scene: Enjoying Hotel Kinsley’s Sips and live music.
Scene: DJ’s Morgan and Gadi Mizrahi of Wolf & Lamb.
On the North Front Street Corner “DJs for Climate Action” Stage featured beats programmed by music producers Eli Goldstein of Soul Clap and Zev Eisenberg, who is half of the DJ duo Wolf+Lamb and also chief of Hudson Modern. DJ sets included Tinkerism, Morgan, Schneur and Mister Rogers, ROBERT, DJ Hawx of Weird Rooms. Internationally renowned dance music DJ and producer and Hudson resident Tedd Patterson closed the house down.
Scene: Dancing to the music.
Scene: Riley Johndonnell.
Scene: Efy Tal and DJ Sensay Shnay.
Scene: Yoav Arie Rabby and Laura Lee.
Scene: Prizes for Arla Vintage booth.
Scene: Product•Think•Tank booth.
Scene: Product•Think•Tank booth.
Scene: Product•Think•Tank booth.
Scene: MAS Designer booth.
Scene: DJ’s “A Rock The Islamic Shock Jock” and Sensay Shnay.
Scene: Khyal of MegaGlam.
Scene: Thomas Russo, owner of White Rabbit Audio, whose unique white speakers filled the street with smooth vibrating tunes, and Garrett Grassi of Aether.
Scene: Klye Meyer and Rachel Chayon.
Scene: Louis P. Timperio of The Klyne Esopus Museum.
Scene: Northern Country Classic Vintage booth.
Scene: Alcove Craft booth.
Scene: Chicory Naturalist booth.
Scene: JR booth.
Scene: JR’s fun display and price list.
Scene: Willa and Victoria.
Scene: Shopping the unique offerings.
Scene: Carlos Rodriguez and Garrett Grassi.
Scene: Behind the DJ booth, DJ Sensay Shnay, Zev Eisenberg who is half of the DJ duo Wolf+Lamb, Efy Tal in yellow sleeveless blouse, Yoav Arie Rabby behind her, and DJ Gadi Mizrahi with others.
Scene: Eliza & Wyld signage.
Scene: Eliza & Wyld booth.
Scene: Natibo Atbp. by Hatzumomo booth.
Scene: Only Hearts booth.
Scene: Only Hearts booth.
Scene: Viewing the offerings at the Rabbit Rabbit booth.
Scene: Jessie.
Scene: Hermance Farm creative painting area.
Scene: Taylor + Ace booth.
Scene: Sarah LaSpada booth.
Scene: Luna Ruda booth.
Scene: MN Dye Studio booth.
Scene: SO Handmade booth.
Scene: Flyaway Bluejay booth.
Scene: Heya booth. Photo from their Instagram page.
Scene: Rabbit Rabbit booth.
Scene: Photography by Sara Laser booth.
Scene: Printmaking and Illustration by Rika Laser booth.
Scene: Stephanie Zimmerman and Josie Andrew. Josie is wearing Slow Process shirt that he just purchased.
Scene: Sam Zollman at his Slow Process booth wearing his selvedge denim Parcel Jacket.
Scene: Julia, Fiona, Zoe, Zoë, and Abby. Girls just want to have fun!
Scene: Bill Smith, Jose Fuliciano, and Raleigh Green at Stella’s Restaurant on North Front Street.
Scene: Rachel Kafka and Nate Hennagin.
Scene: Zulia & Huipa booth.
Scene: Willa playing peekaboo with me!
Scene: Nathan, Marianne Aguilar, Jas Walton, and Spencer Zahn.
Scene: Rachel Chayon.
Scene & Heard: Into the night! Disco ball reflects, the light show shines with a myriad colors, the beat filled the street, and the dance party gets hotter and higher.
Martha and The Vandellas sing Dancing in the Street
Scene: Disco Party!
Scene: Mario Geissler.
Scene: DJ Robert, aka RC Wheeler.
Scene: Christina Osburn, Ruth Lancer, Carrie Bono, and Lauren Fornabaio. 
Scene: Robert Provenz and Kirby Duncan.
Scene: Riley Johndonnell.
Scene: Stephanie Mossey, official photographer for StockadeFaire and OMG ArtFaire.
Scene:  DJ Hawx, aka Reuben Ullman.
Scene: Max and Erin.
Scene: Carter Peabody.
Scene: René de Roneque.
Scene: Dakari with the beat!
Scene: Jojo Ans, Christina Osburn, and Rachael Chayon dancing in the street.
Scene & Heard: DJ Tedd Patterson. Patterson is a regular in the DJ booth at Battle Hymn in Manhattan, House Of Yes in Brooklyn, and with Horse Meat Disco circuit. Patterson spins State 518.
Scene: Klye Meyer a-go-go! And Kevin Anthony Thomas of ReStore.
Scene: Those boots are made for dancin!
Scene: Daniel McCluskey Jr. and JT McKay of bluecashew Kitchen.
Scene: Christina Osburn and John Mckinney.
Scene: Efy Tal, Phillip Trinh, and Carrie Bono.
Scene: Garrett Grassi of Aether.
Scene: DJ Sensay Shnay and Cassie Karopkin.
Scene:  Sean B Nutley and Jennifer Donavan of Le Shag. Performers were styled by Le Shag beauty salon.
Scene: Bride and groom.
Scene: Kevin Anthony Thomas of ReStore.
Scene: Phillip Trinh and Carrie Bono.
Scene: Kevin Muth.
Scene: Max and Erin.

 

 

 

In Between

Scene: Personal style from Fall to the Winter Solstice. Unwrapped and bundled up. On the go. Personal style and dressing in a way that makes you feel good and comfortable, regardless of what’s considered cool or hot, trending or not. It’s about the person’s persona, taste, and projection. Projection on how one chooses to put things together. The wardrobe as palette. Color, texture, patterns, and silhouettes. Mixed in favor with individual taste, combined with an awareness of what is new, vintage or future. Feeling what’s right for you. Rich, off color, tailored, casual, arts and crafts, cozy knits or knit wit. Mixed, mashed or matched.

 

 

 

OMGArtFaire

Scene: Opening Night with Janet Hicks and Sean B. Nutley. The celebration of the arts in Kingston in the Hudson Valley featured a curated selections of 22 fine art galleries and artists from NYC and other states for the first annual OMG ArtFaire. It is an initiative of Janet Hicks, Gallerist, Owner, One Mile Gallery, Kingston, NY.
The VIP opening launched the StockadeFaire, spearheaded by Sean B. Nutley, Co-Owner of blue Cashew Kitchen, and real estate agent Hudson Modern. The four-day art fair included works from both established and emerging artists, and performance artists at the historic Wall Street Music Hall. It was built in the early 1900’s and originally served as a vaudeville and movie house for Kingston residents and tourists who came up the Hudson River by ferry. 
Sean is holding Mike King poster, OMG ArtFaire 2021, three color screen print on white paper, printed throughout the four-day event.

Scene: Mark Hogancamp, Artist, US Navy Veteran. Welcome to Marwen, a film directed by Robert Zemeckis, who co-wrote the script with Caroline Thompson, was based on the life and artwork of Mark Hogancamp, a hate-crime survivor who turned to art as a form of therapy. In 2000, he spent nine days in a medically induced coma before waking up to a world he didn’t recognize, having lost his memories of what happened prior to the assault. He had a 40-day stay at the hospital and enough physical therapy so that he could relearn to walk and talk. To help him cope with the fallout of his assault that saddled him with crippling psychological trauma, he created a fictional 1 to 6 scale World War II Belgian town named Marwencol, populated with toy soldiers and Barbies inspired by his real-life friends, neighbors, and even the men who attacked him. In 2010, he was the subject of Jeff Malmberg’s award-winning documentary, Marencol, named after the imaginary town.
One Mile Gallery regularly shows his work, and in New York, Allouche Gallery, Pioneer Works, and White Columns Gallery have also done so.
Scene: Jane Deering, Director, Jane Deering Gallery, Gloucester MA, with Adin Murray’s Great Marsh #1, oil on canvas.
Scene: Abby Deering, Jane Deering Gallery, Gloucester MA, with Alice Hutchkins‘ (1916-2020) magnetic fields sculpture Group 1 / Model K, left, James Paradis, Cloud #9, top, and Into the Blue, bottom, both oil on sculptured canvas, and Michael Porter’s No.8, right, oil, acrylics on Arches paper.
Scene: Atim Annette Oton, Curator, Calabar Gallery, NYC, with artwork by Alexander Kyungu Mwilabwe, left top, Nzoloko-Map III, left bottom, Nzoloko-Map I, both woodcut, incision, engraving, acrylic, Untitled 2020, right, and Untitled 2019, far right, both woodcut, incision, engraving, wood dust, collage, acrylic.
The gallery showcases contemporary African Artists and African Diaspora artists globally. Each artist selected has work that deals with the complexities of the African experience. 
Scene: Laurie De Chiara, Co-Founder and Director of AirPort, with her husband, Stefan Saffer’s folding paintings, from left, Soul Tweet and Souk on the wall, and Suzanne Wright’s Untiled (Jim).
Saffer creates intricate abstract compositions from single sheets of painted, cut and folded paper. He is Director of Interactions at ArtPort in the historic Cornell Steamboat Building in the Strand, Kingston, NY. 
Scene: More artwork from the ArtPort gallery booth. Maryann Strandell, Julie Hedrick, Seth Rubin, Maxine Leu, Beth Humphreys, Jeila Gueramian, and Rodger Stevens.
Scene: Kristeen Schiele, Artist with AirPort, standing with her paintings and sticks. She is inspired by stage sets, cinema, allegory, and storytelling that is theatrical and playful.
Scene: Jim Kempner, Owner, Jim Kempner Fine Art, NYC, Sondra Kitchen, Sales Associate, and Jim Watt, Artist, with Jim Watt’s paintings, left to right, Liminal 2, Liminal 3, Liminal 4, all oil on canvas. Special thanks to Kaitlyn Ghougassian, Associate Director, and Morgan Grant, Gallery Assistant.
Scene: Jim Watt, Artist, paintings, left to right, Liminal 2, Liminal 3, Liminal 4, all oil on canvas.
Jay Kelly, Artist, sculptures, left to right, Untitled #499, wood, gesso, acrylic, Untitled #403, metal, Untitled #535, metal, enamel paint, Untitled #501, wood, gesso, acrylic. Represented by Jim Kempner Fine Art.
Scene: Rick Wester, Director, Rick Wester Fine Art, NYC, with Mary Shah’s paintings. Circling ‘Til We Land, top left, and Future Memories, bottom left, both watercolor on paper, and Lyra’s Lake (Greek Song), right, diptych oil on canvas.
Scene: Keri Oldham with quilt created by the Alabama artist collective, Gee’s Bend Quilters. The woman of Gee’s Bend have created hundreds of quilt masterpieces dating from the early twentieth century. The inhabitants of this small, rural community are mostly descendants of slaves, who for generations worked the fields belonging to Pettyway plantation. Using recycled work clothes and dresses, feed sacks, and fabric remnants, the woman have composed bold geometrics that are a visual testament to the quilting groups and aesthetic lineage of local families. Represented by One Mile Gallery.
Scene: Lisa Padovani wearing and standing with creations by Gee’s Bend Quilters.
Scene: Kerry Gaertner Gerbracht, Principal, Ver Sacrum Fine Art Consulting, NYC. Paintings by Emmet Duggan, left, Stephen Gorman, right. Other artists, Grady Gerbracht and B.A. Van Sise.
Scene: Mike King, Brooklyn Graphic Designer, Printmaker, with his posters, screen prints on white paper, before he starts his silk screening happening.
Scene: Guests.
Scene: Mark Hogancamp, Artist, US Navy Veteran, and Janet Hicks, Gallerist, Owner, One Mile Gallery, Kingston, NY, with his artwork. Photographs of his fictional World War II town Marwencol. Untiled 2008, right, and Untiled 2008, left, both digital inkjet prints.
Scene: Mark Hogancamp’s artwork, digital inkjet print. A photographer takes a photo of Anna and Mark’s alter ego, Hogie, at Marwencol Falls, where they spent their honeymoon.
Scene: Marieken Cochius, Artist, with her artwork, Frequency 48, top, and Frequency 64, bottom, both inks on paper. Her work is meditative and intuitive and often explores growth forms, movement of light and wind, root systems, and animal architecture. Represented by The Lockwood Gallery.
Scene: Publicists for OMG ArtFaire and StockadeFaire. Joanna Pagoulatos, Vice President Operations, and Barbara Wagner Founder and President, of Barbara Wagner Communications.
Scene: Beth Kantrowitz, Co-Director, Drive-By Projects, Watertown, MA, with artwork from her gallery, and Bob.
Scene: Rob Bermann, Conductor, and Chase Brock, Choreographer, renovated the 1902 Accord Depot train station, with careful preservation. Modern Accord Depot, in addition to preserving New York, Ontario & Western Railway architecture, is a dynamic arts residency space and one-of-a-kind Hudson Valley getaway serving dual populations: artists and non-profit arts organizations in need of residency space.
Modern Accord Depot presented Olivia Palacios, Choreographer, dance performance Propulsive, below.
Scene: Opening night’s dynamic dance performance Propulsive. Choreographed by Olivia Palacios and presented by Modern Accord Depot. Dancers Jane Abbot, Grant Howard, Richard Sayana, and Molly Grey.
Scene: Kenise Barnes, Director, Kenise Barnes Fine Art, Kent CT, with Mulling over a Haiku by Janna Watson.
Scene: Samantha French, Artist, with her painting Below the Sun. Her current body of work explores the idea of escape, the tranquility and nostalgia for the lazy summer days of her childhood. Represented by Carrie Haddad Gallery, Hudson, NY.
Scene: Michael Lokensgaard, Artist, and Janet Hicks, Gallerist, Owner, One Mile Gallery, Kingson, NY, with Audrey Stone’s painting Keep Close, flashe on canvas, in the Kenise Barnes Fine Art Gallery booth. Represented by Carrie Haddad Galery
Scene: Cade Tompkins, Director, Cade Tompkins Projects, Providence, RI, left to right, with Allison Bianco’s Not Too Far North, intaglio screen print, Nancy Friese’s Glittering Spring, oil on canvas, and Stella Ebner’s Pole Beans and Mexican Beetle Damage, woodblock.
Scene: Paul Gagner, Artist, and Jacob Rhodes, Artist and Co-Founder, Field Projects Gallery, NYC, with Paul’s paintings, The Artist Rearranged With Pickle, left, and Stoop Sale, right, both oil on canvas. Gagner is represented by Field Projects Gallery.
Scene: Paul Gagner, Artist, Suspended Lunch, high density foam, aqua-resin, fiberglass, metal, acrylic paint. This sculpture was created for and installed in Poughkeepsie for the Upstate Arts Weekend in the Hudson Valley. He’s been making spider webs because they represent the passing of time and a lurking, maybe sinister, intention. Represented by Field Projects Gallery.
Scene: Grady Gerbacht, Artist, and OMG ArtFaire lead installer, with his son, Eamonno.
Scene: Grady Gerbacht, Artist, Incidental Composition, mounted photographs. He views the city as a collaborator, finding unique compositions on the street as he goes about his day. Represented by Ver Sacrum Fine Art Consulting.
Scene: Stephanie Theodore, Director, Theodore Art, NYC, with Oliver Watson’s archival inkjet prints on photo paper.
Scene: Oliver Watson’s archival inkjet prints on photo paper. Represented by Theodore Art.
Scene: Christina Osburn, Paula Cereghino, and John Smylie with Klye Meyer’s artwork.
Scene: Kyle Meyer, Artist, with his creation, Bleeding Out, pigment dyed woven cotton. Watch him create it. This is the evening look of his artwork. Represented by Yossi Milo Gallery, NYC.
Scene: Sean B. Nutley, Co-Owner blue Cashew Kitchen and Creator of the StockadeFaire event, and Orlando Reece, Vice President, Category Development Officer at Univision Communications Inc.
Scene: Kathleen Griffin by Mike King’s Gallery booth.
Scene: Mike King with squeegee in hand moves across the screen to fill the open mesh apertures with ink to create the OMG ArtFaire 2021 poster, three color screen print on white paper.
Scene: Carmel Holt and Jojo Ans with Mike King’s posters, screen prints on white paper.
Scene: Jane and Neal Hollinger with Mike King’s posters, screen prints on white paper.
Scene: Neal Hollinger, Artist, Cloudy Rainbow Sparkle, wall lamp, plaster and enamel paint.
Scene: Guests viewing art in the Drive-By Projects booth.
Scene: Jim Watts’ 1000W. A series of 1000 ink washes (Japanese Sumi ink and water on paper) created in conversation with improvisational jazz. The interaction between the painter and an assemblage of musicians, led by trumpeter Antoine Drye, was featured in a live performance. Footage of an overhead camera captured the works as they were created and projected for the artist and audience to see. A film, produced and directed by Danny Clinch, will chronicle the entirety of the project.
Scene: Jim Watt ink washing paper projected on the screen. A collaboration of art, music, and film.
Scene: Janet Hicks with guests.
Scene: Greg Slick, Artist, and Alan Goolman, Curator, The Lockwood Gallery, Kingston, NY.
Scene: Greg Slick, Artist, paintings Old Materiality, top, and Dig for Fire, bottom, both acrylic on wood panel. His artwork is based on the ancestral land of the Wappinger people and investigates the crossroads of art, archaeology, and anthropology, plus the influence of ancient cultures on contemporary art. Represented by The Lockwood Gallery.
Scene: Julie Hedrick, Artist, with her painting Solar Wind, triptych oil on canvas, and Le Soeil Chair, street find prepared as a canvas, gesso, acrylic. “My work explores the human experience at its primal level: energy. I experience energy in the world though color-form-space.” Represented by Nohra Haime Gallery, NYC.
Scene: Eamonn Gerbracht with Julie Hedrick’s Sculptural Meditation Set.
Scene: Aaron Hauck, Artist, with his painting Visitors, oil on canvas. His paintings are the experience of his surroundings, from social events to empty rooms. Hauck’s palette is often high key which keeps the work looking modern and never nostalgic.
Scene: Elizabeth Schwaiger, Artist, left to right, Houseplant Sparking, oil, ink, acrylic on canvas, Houseplant Seance IV, acrylic, ink on canvas, Plant Grow Other World, acrylic, watercolor on canvas, Plant Grow Savage, acrylic on canvas, Fiery Room, acrylic on canvas, Plant Grow Savage, acrylic on canvas, Dawn II, acrylic on canvas, Captiva, oil, acrylic, watercolor, graphite on canvas. Represented by Jane Lombard Gallery.
Scene: Lisa Carlson, Senior Director, Jane Lombard Gallery, NYC, with Sarah Dwyer’s Double Double Etretat, oil and charcoal on linen.
Scene: Jennifer Hicks, Founder, Director, Artist, 11 Jane Street Art Center, Saugerties, NY, and Kathryn O’Mara, Gallery Assistant, with Jennifer’s Transient Everlasting mixed media on canvas.
Scene: Mary-Ann Monforton, Artist, and Jared Linge, Founder, High Noon Gallery, NYC, with Mary-Ann’s Play Station.
Scene: Mary-Ann Monforton, Artist, Play Station and Climbing Wall. Represented by High Noon Gallery.
In Play Station, Monforton expands on her ongoing body of work in which recognizable objects are remade, crudely, using limited, fast acting materials such as wire mesh, plaster, gauze, resin, and a variety of surface coatings.
Climbing Wall is comprised of a grid of robes centered around what would have been foam supports for a jungle gym.
Scene: Patricia Trafton, Owner and Director, Soap Box Arts, Burlington, VT, left to right, with Katrine Hildebrandt-Hussey’s Unexpected Twist, hand burnt lines on paper, Build & Bend, hand burnt lines, wire, reed on paper, and Breathe, hand burnt lines on paper, and Scott Cambell’s Chime Cannon, mixed medium on paper on panel.
Scene: Jessica DuPont’s Half Moon Books display sculpture.
Scene: Debra Mangrum, Artist, Writer, and Joe Mangrum, Artist. He creates sand paintings and multiple medium installations. Both are based in NYC.
Scene: Ed Potokar and his bandmates with his handcrafted experimental musical instruments. These unique artist-made instruments sang their tune throughout the Wall Street Music Hall.
Through his unusual creations, Potokar, an artist, seasoned percussionist, and acclaimed industrial designer, has invented an environment where primitive and modern sounds perform a delicate dance in the context of the unique shapes and designs that trigger them.
Scene: Elizabeth Keithline, Artist, Curator, Shadow Sculptures. Shadow art was created with woven wire shapes and lights. This moveable installation created giant to small shadows by Elizabeth moving the wire shapes to and from the lights. Represented by 11 Jane Street Art Center.
Scene: Elizabeth Keithline Shadow Sculptures on the Wall Street Music Hall stage.
Scene: Kyle Meyer, Artist, Bleeding Out, pigment dyed woven cotton. This is the afternoon view of his artwork.
Paul Gagner, Artist, What Moves You?. Rocking chair with spider webs on right, high density foam, aqua-resin, fiberglass, metal, acrylic paint.

 

 

NYFW Cynthia Rowley (part one)


Scene: Cynthia Rowley’s guests wearing pastels, prints, patterns, and black. All dressed up with a feminine sensibility. Models in their own clothes getting ready for the outdoor runway for Spring/Summer 2022 at Robert F. Wagner Park, with Lady Liberty looking on across the water on September 10, 2021. The energy was joyful, optimistic and celebratory, resonating with the young influencers that turned out en masse. The perfect end of summer, an evening with the sun shining and flowing details. Above, guest wearing Cynthia Rowley’s Clara Organza Dress.
Cynthia Rowley (two) will be about the prep, first looks, and the runway.


Scene: Charlotte Karcher, Cynthia Rowley’s official videographer for this event. She is wearing a vintage silk organza trench coat.


Scene: Kit Clementine Keenan, one of Cynthia Rowley’s daughters, wearing Cynthia Rowley’s Irene organza wrap dress.


Scene: Regina Fumero.


Scene: Guest wearing Cynthia Rowley’s ombre floral mini dress.


Scene: Guest in surf, swim, and city wear.


Scene: Alaina Demopoulos, Style Writer at The Daily Beast.


Scene: Meeka Hossain, is a Bengali influencer and Marketing Director of a luxury fashion brand. She is based in Los Angeles.


Scene: Rhinestone Bandeau and blush Tulle Skirt, left, and pastel purple Tallulah Dress from Cynthia Rowley’s Resort 22.


Scene: Guests.


Scene: Guests.


Scene: Guests.


Scene: Guests.


Scene: Guests.


Scene: Guests.


Scene: Guests.


Scene: Lydia Moynihan, Wall Street Reporter at New York Post.


Scene: Guests.

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Scene: Jack Fleming and Summer Warren.


Scene: Charlotte Karcher recording the scene.


Scene: Guest.


Scene: Regina Fumero and Chloe Unis.


Scene: Guest.


Scene: Guests.


Scene: Guest wearing Cynthia Rowley’s Blue Tulle Boa.


Scene: Guests.


Scene: Guests ready to watch the show from above on one of the balconies of the Robert F. Wagner Pavillon overlooking the lawn and harbor.

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Scene: Sophie Tortorella, eCommerce Coordinator at Cynthia Rowley, reviewing the model wardrobe and checking the details. She is wearing a gem of a sweatshirt, the Gemma Sweatshirt, by Cynthia Rowley.


Scene: Guest wearing Oversize Tee Dress from Cynthia Rowley’s Resort 22.


Scene: Aqua, Monika, and Andie, models, during runway practice.


Scene: Lydia, Lillian, and Loren, models.


Scene: Sydny, Mia, and Isabelle, models.


Scene: Angelica, model.


Scene: Angelica, model.


Scene: Ariana, model.


Scene: Lydia, model.


Scene: Eve, model.


Scene: Lauren and Michi, models.


Scene: Mia, model.


Scene: Sydny, model.


Scene: Sophia, model.


Scene: Isabelle, model.


Scene: Lillian, model, after the show.


Scene: Monika and Michi, models, after the show.


Scene: Emigdielys, model, after the show.


Scene: Cynthia Rowley and guest after the show.

Special thanks to Helen Oppenheim, US Correspondent for Peluquerias Magazine, archivist, blogger, and hair historian, for asking me to collaborate during Fashion Week.